Turbo: Can This Little Guy Save IndyCar?
To pitch a movie in Hollywood, you need to be able to summarize the story in 25 words or less. Writer-director David Soren only needed nine: “Like The Fast and the Furious, but with snails.”
Asian-art scholar and curator Britta Erickson explains that, for many years, Ai worked with found objects—a photo he took of his head after an instance of police brutality, for example, or a pile of porcelain crabs that represents the Chinese government’s efforts to bring him into the fold.
“I’m a city person,” artist/designer Vito Acconci says one late-spring afternoon as he watches workmen build his first Indianapolis project, a complex series of lights and pipes in and around the sidewalk beneath the Virginia Avenue parking garage downtown. “If I see a street, I understand it.”
