Entertainment

“There is something incredibly freeing about playing someone who has no rules and no boundaries,” says Ryan Artzberger.

He will appear as the lead during the high-profile holiday season, from November 4 through January 4.

The artsy environs at the Alexander hotel make Cerulean the perfect place to discuss Mark Rothko’s play Red, showing at the Indiana Repertory Theatre.

One hour before each Classical Series concert, get perspective from musicians, conductors, and guest artists. The pre-concert talk is free to all ticket-holders.

“It was outrageous, and the audience gave a standing ovation,” says Pauline Moffat of A**holes & Aureoles. “That was the night I knew IndyFringe audiences were open-minded and ready for the next generation of uncensored and unjuried fringe performances.”

If interviewing for a job in a packed auditorium sounds like a nightmare, be glad you’re not auditioning to be the new maestro of the Indianapolis Chamber Orchestra.

“We have a long-running list of plays we’re interested in, but where we sit in the pecking order as a nonprofit, we won’t get the rights to a lot of shows until the commercial world exhausts it,” says IRT artistic director Janet Allen.

The Opera knows it won’t be giving up classic, grand operas—but avant-garde productions, operatic musicals, concerts, festivals, and other formats are all on the table to try.

Even ISO Concertmaster Zachary De Pue, proud owner of a 1757 Gagliano, affirms, “The greatest makers have been chosen by the best violinists around the world over and over again. Strads and Guarneri del Gesu.”

Want more leg room at the IRT? Reserve an aisle seat or the back row of the balcony. The best view and sound, though, is—surprise—up in the balcony.

“I frequent the museums, including the wonderful Indianapolis Art Center,” Knabe says. “I don’t know of another one of that caliber anywhere else.”

“I really think that art can be anything that causes you to react, to contemplate something, or to create conversation. That can be a lot of different things. I think it can be art in the traditional sense, but it can also be more active.”

Now an Academy Award–qualifying festival within the Short Film category, Heartland has had two Oscar-winning short films over the past five years—meaning you may meet tomorrow’s Oscar nominees and winners.

Whether it’s transforming a barbed-wire fence into a web of lace or flooding the sidewalks with soundscapes, Ed Woodham’s Art in Odd Places (AiOP) project has freaked out Manhattan for nearly a decade now—and it hits Indy this month.

“Now, in addition to having a vibrant local food/local beer movement, [Indianapolis has] a parallel local arts movement.”