Indianapolis Museum of Art

Beer-can glasses, 3D-printed jewelry, a designer deal, the best game for spring break, and more.

Great picks at Children’s Museum, Eiteljorg, IMA, and more

As a young artist in New York, O’Keeffe learned brushwork from Nineveh native William Merritt Chase, one of the country’s foremost Impressionists.

Stulen even has plans to create an occasional “open office” in the museum, when his staff will work in the entry pavilion so visitors can come up to share ideas.

Here are the winners of our online survey accompanying the magazine’s “Best of Indy” feature, with a selection of comments from the readers who voted.

“Evening with the Stars brings together the best ballet dancers in the world that we would never have a chance to see here,” says Travis DiNicola of Indy Reads. “It’s the must-see event of the year.”

The artsy environs at the Alexander hotel make Cerulean the perfect place to discuss Mark Rothko’s play Red, showing at the Indiana Repertory Theatre.

“I really think that art can be anything that causes you to react, to contemplate something, or to create conversation. That can be a lot of different things. I think it can be art in the traditional sense, but it can also be more active.”

Whether it’s transforming a barbed-wire fence into a web of lace or flooding the sidewalks with soundscapes, Ed Woodham’s Art in Odd Places (AiOP) project has freaked out Manhattan for nearly a decade now—and it hits Indy this month.

A few of the city’s smartest urban thinkers give their take on what would make Indy a better place.

Yogis, unite! Monumental Yoga, an annual spectacle, hopes to draw 2,000 flexible folks to the bricks this year.

Here, a quick snapshot of the latest IMA exhibit’s only self-portraits.

Victory Field, consistently rated atop the heap of the nation’s minor-league baseball stadiums, has multiple seating packages and a range of ballpark foods to devour. Plus, beer.

The Indianapolis Museum of Art is trying to make “fetch” happen, as it will show Mean Girls and 11 more cult-favorite and classic-hit films.

Julianne Swartz uses photography, plus magnets and other everyday items, in her installations. The lenses in different pieces of work help transfer these mundane objects into “magical moving pictures.”